She does not turns to Pazuzu, but she understands - just think to her new alignment - that there can be no good without evil and that our lives will all end some day, for good or for ill.
This is an ode to chaos, but it ends with a heart-felt question about life and the future. She won't give up the search for a superior truth, meanwhile she can only fight for a better life for those under her reign. These are apparently meaningless words, but she's always been a free spirit and they reflect her moment of inner turmoil.
(the tune is sad, with a crescendo, ending in a slow despered whisper)
enter suicidal shadows
how hungry have we become
like animals naked in shame
fed with the hooves of apocalypse
that galloped down, disordered worlds behind
that spanned over cultures in rage
crimson masses, steeped in decadence
holding our tongues to the thirsty sun
so, is the future still open?
then enter, hornet, from our hive-dark hearts
to draw down the end from within
we need not the horns that emanate
from our warty, haunted bodies
nihilist pazuzu
the priceless art of their lives
sorrow is a wing laid atop their heads
skin deep, we carve our immeasurable sorrow
in the fold of your shivering arms
pazuzu,
your children wild
and filled with death
pazuzu,
in our unforgiving eyes
a pandemonium of bodies and gold
eager, as a part of your face
end the sickness attached to your skin,
as the wine-rush,
charging from androgynous wombs
to open free the lid of pain
pazuzu,
rinsed in post-human shadows
a monument scorned by the teeth of Time
stale-faced keeper of secrets,
leaded with implosive fire
the whore that carried the apostle
to the mating point on the graves of giants
we look at you, afraid
to see what we really are.
so, is the future still open?